Blog, work in progress, Writing

Where Has The Time Gone?

suitcase_travel-778338_1920I can’t believe that I’ve been home from the annual Romantic Novelists’ Association’s Conference for almost a week. Six days of unpacking, clothes washing, lugging soapy bathwater out to spray the runner beans, catching up with emails—oh yes, and that little thing called work!—mean I’m all behind. I’ve got three days full of appointments next week, and I’m expecting the next set of proofs for Struggle and Suffrage any day.

Right now I’m playing a waiting game with the short story I’ve written for the Costa Short Story Award. I’ve finished the first draft, and put it away to mature for a few days before I attack the re-writes. While that is simmering at the back of my mind, I’m working on the follow up to Love Lies Bleeding.  It’s got the working title of River Girl, and here’s the opening:

In three hours’ time, I’ll be with Sophia and studying the menu in Purslane.

A Sarah Jarosz soundtrack was DI Josh Miller’s only company as he followed diversion signs along the Ripple valley. He’d shrugged off freezing rain on the way to testify in court earlier, only to watch a second-rate defence brief stare down a novice prosecuting counsel. That had made leaning into sleet on his way back to the office harder to take. Gloucestershire could throw bad weather in your face whichever way you were walking. Josh hadn’t experienced that trick since he’d prowled the canyons of Canary Wharf, but the prospect of dinner with Sophia had insulated him all afternoon. Once she was qualified, she’d show them all at Crown Court how it was done.

At last he was on his way home. The orange lights of a gritting lorry flickered through the dusk. Josh eased off the Skoda’s accelerator. He wasn’t mad enough to overtake in these conditions. Staying well back as the t-junction with the Brackenridge Road drew nearer, he saw the gritter swing out, straight across a motorcyclist. There wasn’t time to wince. In the confusion of horns and brakes, a stone thrown up from the newly-resurfaced road shattered Josh’s windscreen. 

*

In a house high above the road, Sally woke. She didn’t bother opening her eyes. 

There’s no point.

The bedroom would be as black as her heart, her thoughts and her future.  The Prospect was a long way from any streetlight, but William insisted on blackout curtains in all the upstairs rooms. He said they made it easier for him to sleep. 

William said a lot of things, when he wasn’t working.

He had been away for one whole day.

A cortege of thoughts passed through the snore-free silence while she waited for sleep to return. 

She uncurled her lower leg, pushing it experimentally down between the cotton sheet and the duvet. Relaxing felt wrong, to begin with. After a minute or two, she extended her other leg.

She opened her eyes, searching the dark. Nothing. Her mobile phone was only inches away on the bedside table. She’d know if  William was trying to contact her.

He’d packed a few things and moved into the Brackenridge Travelodge, conveniently close to his CEO’s home. With snow forecast, William was in the perfect place to cadge a lift into work. 

Shrewd, he called it. Very shrewd.

Commuting with William. Why could she remember doing that, when so much of her life since she stopped work at Atkinson Burrell blurred and seeped out of her mind like watercolours?

She grabbed her phone. William was bound to know…

…but then she would have to tell him Consuelo didn’t come back after going to the supermarket yesterday. If William thought lightning was going to strike twice, he would drive straight home to make sure she had company. 

She dropped the phone, then heard his voice inside her head.

I’m good like that.

Yes. He was. Everybody said so, so it must be true. 

She reached for the phone again.

Everybody says so, so it must be true.

She rolled onto her back. Then she eased her way into the middle of the emperor-sized bed.

Nothing bad happened.

Consuelo knew where the spare back door key was hidden. She could let herself in. 

But what if she never came back—

never came back never came back never came back…I never came back for Jake and Mia. So they went looking for me, and….

Sally curled into a foetal ball again.

She closed her eyes. 

But she didn’t sleep.

*

Josh snapped on his warning lights, shut the car’s vents and punched a big enough hole in the crazed glass to give him a view across the junction. The other vehicles were disappearing into the dusk. His car was the only casualty of the near-miss. Squinting into the icy breeze, he pulled over and parked. 

The temperature inside the car dropped like sterling in a crash. Josh tried his phone. No signal. He got out. The winter air was full of knives. 

f5802-wye-swans
This is the actual spot where Sally walks into the river, shown in midsummer.

The little Ripple was a tributary of the Wye, cutting through steep Forest rock to join the bigger river here, near the great horseshoe bend of Symond’s Yat. For most of the year, this was the perfect place for water sports. Uninterrupted by calls or texts it would seem, Josh thought as he paced about, searching for a better signal. 

At the deserted canoe slipway, he found one. Before he could dig out his breakdown membership card, a distant gunshot echoed along the valley. The sound came from the direction of the Kneller’s smallholding, on the other side of the Wye. Noisy rooks catapulted into the sunset. It was legal for farmers to shoot foxes and crows, especially so close to lambing. They had to protect their stock, but the noise sharpened his senses. An owl quavered. He looked up. An apparition was moving through the trees scratched against the slope ahead.

It was a woman. She was moving toward the water. 

Why she was drifting about this Godforsaken place, looking like Kate Bush on YouTube was anybody’s guess. 

Josh went to find out…

There’s a lot of work to be done on River Girl yet (not least, discovering how to disable double line spacing in WordPress!). That means my mind is full of characters and twists when I should be concentrating on doing the watering. I managed to tip half a can of water over myself last night. At any other time, that would have been an unpleasant shock. During the long hot summer of ’18,  it was quite a relief!

Beta Readers, Extract, Love Lies Bleeding, The Barrow Wake, work in progress

Extract From My Next Book, Love Lies Bleeding…

This is what Sophia’s looking at, until…

My next book is a romantic suspense, with the working title Love Lies Bleeding. It’s back from my Beta reading team, so it’s now in the final edit stage. Here’s the opening—so this is your chance to tell me what you think about it, in the comments section…

‘…and I love TV, but I don’t want to watch it every day!’ Sophia put on a spurt. 
If only Alan would take the hint.  Moving to Gloucestershire was supposed to be the start of her blame-free existence. He should have vanished from her new life months ago. Instead here he was, still tagging along behind and refusing every command, kind word and firm refusal. Despite all the danger and her obvious lack of interest, nothing could squash his puppyish adoration. What was wrong with the man? He stuck like human chewing gum.
I’m running out of options. The only thing left is for me to get nasty. Really nasty. 
The track ahead was a bony limestone spine, rising almost vertically. Kicking on, scrabbling forward, clawing at the path in a fever of excitement she left her unwanted minder for dead. For dead…
The cold, clean air burned her face. She dragged it in like vodka.
‘I’m serious!’ Alan’s voice rose, a long way below her now, and insubstantial as cigarette smoke.
Sophia stopped, stuck her hands on her hips and screwed round to face him. 
Every day, he held her back somehow. Today, he was stopping her from sprinting for the summit. He was still ten yards behind, and wheezing like an asthmatic ferret. It was too irritating to watch him labour up the slope, so she scanned the horizon instead. On this perfect morning the atmosphere was gin-clear all the way to Hay Bluff, sixty miles away. 
A snail could get there and back before Alan’s caught his breath. 
This was a day to feel the lust for life powering through your veins. Life was too short for promises. Sophia wanted to make the break, and get on. 
She tensed and dropped her gaze. It caught on Gloucester, down in the vale of the Severn. From here, the city’s confusion of buildings was a dark smudge on the countryside. It was a necessary evil—as vital, ugly and inescapable as the feelings Sophia kept locked away inside. She pivoted, her trainers scribing perfect circles in the damp, grey grit. Down in the city, the heaving mass of humanity would soon climb onto the treadmill of a new day, running around in the same old circles, in the same old way. Digging her toes into the ground she scuffed hard, destroying the neat marks.
‘I’m serious,’ Alan repeated, his voice struggling up to her. ‘You’re beautiful.’
‘I’m trouble, you mean,’ she ground away at the divots, guiltily wishing it was his face. ‘Especially for a man like you. If you think I’m falling for that old line, forget it. It’s only the thrill of the forbidden you’re after.’
‘How many times do I have to tell you?’ He caught her by the arm. She narrowed her eyes in silent threat.  Releasing her, he flung up his hands in a gesture of peace.
‘Nobody,’ the pulse pounded in her voice, ‘does that to me anymore.’ 
‘All right… all right….’ He backed off, his voice oily with understanding. ‘I just want you to know I don’t care about…all that. Your past, I mean. This is a new start. For both of us.’
  Sophia felt sick. It should be easy to storm away, and end all this. Instead, she rubbed her hand up and down over the place where his fingers bit her skin.  A breeze rippled through the trees, high on the viewpoint above them. Drops of water suspended from the twigs after the previous night’s storm came pattering down, with the sound of a million footsteps giving chase.
‘…and I’m going to start by improving my personal best,’ a stranger’s voice growled out of Sophia’s mouth, ‘Race you to the top!’
Gone in a flurry of wet grit, she reached the viewpoint in time to watch Gloucester cathedral blanch with a blow from the rising sun. Then Alan’s pale face bobbed into sight, and her view was eclipsed.
She checked her watch. ‘Now I’m ready to go home.’
‘You don’t want to run any more?’ He sounded half-dead.
Home was one of those words like ‘mother’ and ‘loyalty’ that never felt good any more. ‘Nope. I’ve done my time. All I’m heading for now is a shower.’
‘Can I play?’
It was hard not to groan, and almost as hard just to give his shoulder a playful punch rather than aim a haymaker at his jaw. ‘No.’
He usually begged, but this time he looked distracted. His gaze went over her shoulder, across to the far side of the lookout point. 
‘There’s a car parked over there.’ 
There was no point in looking round. ‘This is the County’s dogging hotspot. Of course there’s a car parked over there.’
‘But it’s obviously been here overnight, Soph. Who in their right mind leaves a motor like that, in a place like this?’
‘Nobody in their right minds comes here at all, except in broad daylight,’ How could a guy in Alan’s profession be so innocent?
He wasn’t listening. He was heading for the vehicle, and gaining speed as he got closer.
‘You don’t abandon a class vehicle like this in a place like the Barrow Wake, Soph. It must be hot.’
There was nothing for it but to follow him, closing the distance between them as fast as possible. 
‘It looks pretty cold to me.’ This place seemed deserted, but only an idiot would shout. For the last eighteen months, she’d been more alert than ever to the fact there were always eyes to see, and ears to hear. 
‘It’s unlocked,’ he called, already opening the driver’s door. He was all enthusiasm and movement until he leaned over the back of the driver’s seat. Then he went rigid.
‘What is it?’
‘You don’t want to know, Soph.’ 
Pulling the sleeve of his new tracksuit top over his hand, he ran it across every surface he might have touched. That meant only one thing. Big trouble.
‘It’s a body.’  
Alan’s face was corrugated cardboard, but there was no point worrying about details if he was going to be caught in the act. Sophia saw her chance to scare him off for good. Taking him by the arm, she pulled him away from the car. ‘Okay. I’ll take it from here. Go.’
‘I can’t leave you on your own—not with this!’
‘I’ll be fine. You know that. You’ve got to go. What would it look like, you reporting this before you’ve clocked in at Brackenridge Central for the first time? They’ll think you’re a right smart-arse, trying to show them up. And being found with me….get going. Don’t look back.’ 
She swung him around, and sent him on his way downslope with a satisfying thump between the shoulder blades.

Once past the bland gatekeeper who answered her emergency call, the police were very…nice. Sophia wasn’t used to applying that four letter word to the law. She didn’t like to spoil the novelty. 
When they arrived to fill the viewpoint with their noise, they wrapped her in a foil sheet and tried to put her in an ambulance. To be shut in something like that was a step too far for Sophia. She agreed to sit on the vehicle’s tailboard, but being surrounded by all those chemical smells was horrible. It got worse. A pretty Police Community Service Officer was put on empathy detail. Sophia’s brightest smile couldn’t shut her up. Then the radio fixed to the woman’s shoulder burst into life.  
Sophia exploded with a curse that thinned the officer’s lips. 
‘Sorry…but that thing frightened me to death!”
‘It’s all right, Miss Hope! Don’t worry! You’re safe!’ When the girl patted her kindly instead of reaching for a charge sheet, Sophia relaxed a fraction.
‘And you’re in luck, too,.’ The PCSO tried a diversion. ‘Detective Inspector Joshua Miller is going to be doing your interview. He’s gorgeous.’
Sophia’s smile almost turned genuine. This was going to be easy, after all. She knew what handsome men were like. They always kept one eye on their reflection, and the other on their watch. They never let anything get in the way of their next hot date, least of all their work. A few snuffly, indistinct comments to this DI Miller, and she’d be off the hook. 
Again.

On a map, the Barrow Wake was barely a mile away from Josh Miller’s new home. He would have walked, but the last time he tried that there was trouble.  The press suggested his reluctance to drive was a comment on policing cuts, and Josh was hauled before a committee convened by the Chief Constable.
Today he took his Ducati, just to annoy them all. It wasn’t as though the man found dead at the beauty spot would care.
‘And neither will any witnesses,’ he told his dog. Lucky watched the ritual of Josh strapping on his body armour without comment. 
Leaving Lucky to sleep off his breakfast, Josh rode down into the valley, then powered his motorbike up the torture of Crickley Hill. Sweeping around The Air Balloon pub, he rode the tail of the Cotswold ridge to the Cowley roundabout. Then he took the return stretch as far as the viewpoint, and all at an average speed of exactly seventy mph.
It was as satisfying as walking a Derby winner around the Epsom course. Josh was still scowling as he trickled the Ducati along the lane and into the Barrow Wake parking area. Three police cars, a cat’s cradle of incident tape and an ambulance were already in place. With a grimace of distaste he brought the bike to a halt beside the nearest police car. A uniformed officer walked up to meet him. 
‘Loey? Shouldn’t your shift have finished by now?’ 
‘I’ll be off home in a minute.  I got a lift up here in case I could add anything useful. Fact is, Ratty and I clipped a guy with the patrol car last night.’
Josh took off his crash helmet and dug his fingers through his hair. ‘Tell me it wasn’t our dead body.’
Loey shrugged. ‘Not unless he goes dogging disguised as a Welsh rugby fan.’
That was a relief. Police involvement had a snowball effect on tragedy.  Josh stripped off his gloves, and dropped them into the helmet. ‘Is your Welshman going to sue?’
‘Dunno. The speed he got away from us, across the road and over the fence opposite, I don’t reckon there was much wrong with him.’
‘Didn’t you stop to find out?’
‘Course we did. But on a miserable night, and with us being on call, there was only so much we could do.’
‘Write it up as an incident. In full.’ Josh gazed pointedly at the sergeant. 
‘Already done. Chapter and verse, sir.’
Josh gave a nod of acknowledgement while scanning the confusion of people milling around the parking spot. Some were in uniforms, others in white coveralls. 
‘Any witnesses?’
‘One. They’ve got her in the ambulance, sir. ‘
Josh guessed what was going on back there. The crew were probably still bringing the witness down from hysteria. It was marvellous stuff, that happy gas. 
He lodged his helmet on the Ducati’s handlebars, and strolled over to the abandoned Mercedes. 
‘Nice car,’ he said to the photographer. She moved aside to let him see the nasty secret hidden inside.  
Josh braced himself to see the type of corpse found in places where nothing worse than the thrill of illicit sex took its toll on those old enough to know better. He got a shock. The dead man was fully dressed. He lay on his right side, across the back seat. His knees were drawn up, and he might have been asleep–if it hadn’t been for the big and bloody mass where his head should have been. 
This was a shabby, sad discovery, unworthy of a place where Victorian quarry workers once uncovered a priceless Roman burial hoard.
Josh dug his hands into his pockets and stared out over the Severn vale. There were plenty of people here to take notes, measurements and pictures for him. They recorded the facts, in the expectation Josh would find the solution. 
He knew he’d come up with an answer eventually. That was his job. But how anyone could actually bring themselves to take that final, irrevocable decision to strike the killer blow…it was something Josh would never understand.
‘Miss Hope says she’s okay for questions, sir.’ Loey announced. 
His voice brought Josh back to the present. ‘Who?’
‘The witness, sir. She’s waiting for you.’
‘Okay. I’m on it.’ 
Josh stopped at the side of the ambulance to get his thoughts in order. Bodies, he could handle. The first ones he saw made such a hole in his heart, all the ones since then slipped straight through. 
Witnesses were a different matter. Every one he interviewed after an unexplained death left an indelible mark. The tears, the confusion, the incoherent, ever-changing stories. He gritted his teeth and prepared to meet a blotchy-faced dimwit. When he rounded the ambulance, he was ready to trowel on the sympathy. 

Sophia Hope’s unbelievable smile made him drop that idea like a clumsy plasterer.

What do you think? To find out more, sign up for my newsletter by joining my mailing list. In the meant time, why not try my current release?

Creative Writing workshop, His Majesty's Secret Passion, NaNoWriMo, work in progress

Writing A Book In A Month, Part One

For thousands of writers all over the world, November means NaNoWriMo, or National Novel Writing Month. The challenge is to start work on a novel on 1st November, with a goal of reaching a 50,000 word count by midnight on November 30th. 

If you’ve ever thought of writing a novel, NaNoWriMo is a great place to start. That unbreakable, unmistakeable deadline, coupled with a helpful website dedicated to this non-profit making enterprise, is a great way to turn ideas into words. In 2013, over 310,000 participants from all over the world made the leap from wishing to writing.  Sign up like they did, and you can get guidance, support, hints, and tips from professional writers and experienced participants via forums, email alerts and local groups. 

I’m coming in late to this game, and for a very special reason. My published novels (you can see them all here), whether historical or contemporary, come under the romantic fiction banner. I’ve always wanted to try something different, but I enjoy working in my familiar genres so I’ve never got around to branching out. My working life has always been very structured, but after attending a couple of RNA workshops (details here) I discovered the wonders of a free-form approach. Getting out of my writing comfort zone turned out to be less scary and more productive than I’d imagined.

November this year just happened to coincide with a gap in my work schedule, so last Monday I signed up for NaNoWriMo 2014. The process was easy. The prospect is chilling. All (!) you have to do is commit to writing a first draft of 50,000 words for your story, before the 30 November deadline. That works out at around 1,670 words per day. Every day. Once you’ve signed up, you start writing on November 1st. Each day, you log in to the NaNoWriMo site and update your word count on the header menu. It’s a stark measurement of your progress. I get stressed about reaching my usual10,000 word per week target as it is. Seeing my figures flagged up like that will really pile on the pressure. 

Everyone who reaches the 50,000 word target is a winner. From 20th November onwards, you can paste your completed novel into the NaNoWriMo site.  Once validated, you can apply for your winner’s badge (the NaNoWriMo site allows you to scramble your text, so you don’t need to worry about security).


NaNoWriMo helps writers in all sorts of ways. There are forums where you can get support and inspiration from other sufferers (sorry, writers). There’s even a section where you can pick up orphan plots, characters or settings suggested by other people, and generously offered to anyone who’s stuck. The whole site is a well of inspiration, and a hub for networking. 

I’ve had a particular Alpha male living inside my head for quite a while, but he felt too damaged to be the hero of a classic romance. I knew he’d be locked away for a life sentence unless I found some way to free him on parole. Then my local chapter of the Romantic Novelists’ Association held a workshop where we each had to submit the first ten pages of a novel. These would be reviewed by all the other workshop members.  It felt like the right place to give him an airing, so I let my mind freewheel around the idea for a few days. In that time, my damaged hero solidified into a guy called Josh with a “dangerous” dog and a bad attitude. He met an anti-heroine, Sophia, whose backstory is even darker than his own. Then I sat down at the computer and fooled around with the pair of them until I had a sample long enough to submit to the workshop. 

The other writers thought my new project had a future, but a series of tight deadlines meant Inever got a chance to do anything more with those first ten pages. 

Luckily, I finished my current Work In Progress, His Majesty’s Secret Passion, in time to sign up for NaNoWriMo 2014. It’s given me a concrete reason to devote one whole month to my new project. I’m raring to go, if a bit apprehensive. On the plus side, I’ve already got the first ten pages of my new novel, a folder full of character outlines and a general idea of what’s going to happen, to whom, and how.  On the minus side, typing “The End” seems a long way over the horizon, and it’ll be uphill all the way. 

I’ve cleared my diary, sharpened my pencils, and told the family I might be taking a holiday from the kitchen. If the words don’t come, we’ll be living out of the freezer until December 1st.

Keep tabs on my progress by subscribing to my newsletter—just click on the subscribe button top right, or drop me a line at christinahollis(at)hotmail.co.uk.

Are you going to join NaNoWriMo 2014?

Christina Hollis, Creative Writing, Marcher Chapter, RNA, The Survivors' Club, work in progress

Creative Writing: Work In Progress…

By Antonio Litterio

I wrote here about the very productive writing workshop organised by the Marcher Chapter of The Romantic Novelists’ Association in Hereford, on 31st March. Here’s an extract from the piece I submitted: it’s the opening paragraphs of my current work in progress, The Survivors’ Club

Eden’s determination died with the car’s engine. She knew she should jump straight out, and into her new life. Instead, she took a death-grip on the steering wheel and scowled at the Waterstones bag lying on her passenger seat.
What a waste of money.
Buying that book was supposed to change her life. It said so, on the cover. So why wasn’t it working?
You could at least make an effort.
Eden swore under her breath. Snatching up the bag, she wrestled her new book out and propped it up in front of her. This damned self-help manual was supposed to evict her mother’s nagging from her brain, not echo it. 
The glossy dust-jacket of Why Are People Mean To Me? summed up Eden’s life in primary colours. A tiny human form cowered beneath a mob of Henry Moore-style giants. Recognising herself in that image had drawn Eden straight across the precinct, and into the shop.  
She sighed, and slid her finger over the title.
I wish I knew.
The cover prompt on Why Are People Mean To Me? said it was because she hadn’t read the book yet. 
Tom was always telling her it was paranoia.
Eden wondered who to believe. 
The only thing she knew for certain was that wandering round the shops on the third Tuesday in January had been a bad idea. Everywhere, from Twitter to the news headlines, said this was the most depressing day of the year. With ten people ahead of her in the queue for every job, Eden could believe it. That was why investing £14.99 in Arianne Forrester’s new self-help book had felt like such a brilliant idea. Right up until the moment she handed over her debit card. 
That was when she panicked. Paying for the book was the point of no return. Saying goodbye to fifteen pounds meant she’d have to act on its instructions. If she didn’t, all that money would be wasted. She’d wanted to change her mind, drop the book and run. Pinned down by the shop assistant’s expression, she paid up. Feeling sick at the extravagance, she was pulled off course only once on the way home. She needed to stock up on one vital item. An overdose of chocolate always made things feel better…at least until the next time she got onto the scales.
She elbowed her way into the house, weighed down by bags. The front door slipped away from her, and slammed. The whole place shivered. She winced, waiting for Tom to start roaring.
Nothing happened.
With the central heating on full blast, the house was a tropical paradise. The effort of carrying the shopping while bundled up to face the arctic conditions outside made her breathless. ‘Tom! I’m home!’ 
She was already half-way to the kitchen. When he still didn’t answer, she stopped. 
‘There’s chocolate cake!’
Her heart thumped, and not only with the effort of carrying her bags. She put them down. If mention of food didn’t get him on the move, he must be ill. That might explain why he’d shoved a couple of ten pound notes at her earlier, and told her to make a day of it in town. 
‘Tom?’
Only the hum of the freezer disturbed the thick atmosphere. Tom was supposed to be working from home today. Whether he was sick or well, Eden knew the strain of checking his emails would have sent him back to bed with some snacks and the remote control. It would be her job to offer tea and sympathy. Gathering up her stuff again, she hauled it all through to the kitchen.
Then she stopped, staggered. The place was a complete mess. 
Every utensil in the place had been dirtied in the process of making breakfast. The frying pan was blackened and crusty. Discarded wrappers of bacon and sausage flapped in warm currents of air.  Blobs of ketchup and fruit sauce added splashes of colour to every horizontal surface. Trails of pancake batter linked everything together, like a work by Jackson Pollock.
Eden took a step, and felt the crunch of egg shell. Lifting her foot to prise off the debris, she found a bit of waffle lodged in the tread of her boots. Although that was grisly, the silence was wonderful. She let out a long, slow breath. Tom must have gone out. 
With the house to herself, she flung off her outdoor clothes and danced through to the lounge. While he was away she could use his printer and copy out some recipes.
What he doesn’t know won’t set him off, she thought. 
She was in for a shock. Tom’s computer and its associated junk usually took up half the dining table. Today, it wasn’t taking up any space at all. 
Eden clapped her hands over her mouth. They must have been burgled. A million horrors ran through her mind. She raced around the house, pushing open doors and calling his name. If he was injured or unconscious he would never forgive her for wasting so much time. 
On the other hand, if he was dead…
Her heart lurched. She was unlucky. The house was deserted.There was no sign of Tom’s body anywhere….

What do you think? If you’d like to be kept up to date on how The Survivors’ Club shapes up, you can sign up for my newsletter here.  
Hollywood Tower, inspiration, Lady Rascal, Location, work in progress

A Sense of Place

br />

If you’ve read the recent posts here about my current work in progress, you’ll know that I use inspiration boards as I write. There’s one in my office, and you can see my public one online here. These are just hints – I don’t base my characters on any one person. They’re an amalgamation of many different people, with a dash of pure invention added for good measure. 

The same doesn’t always apply to places. Sometimes I use real life locations for my fiction work. As I was writing Lady Rascal,I had a very particular interior in mind for Philip Adamson’s country house. My OH’s office used to be based in Hollywood Estate Mansion, which is in Easter Compton near Bristol. As luck would have it, my father’s best friend used to work there back before the Second World War, so I had some background information about the place before I started. The exterior of the house didn’t quite match my idea of Philip’s house, so the trailer you can see at the top of this post includes shots of a completely different property. That’s the great thing about fiction – you can fiddle with reality until it’s exactly the way you like it.

While dialogue and action bring characters alive and keep the plot moving along, the “genius loci” or spirit of a place forms the background of your story. You can use this in two ways: as a straightforward clue to tell readers what to expect, or as a contrast to what goes on there. The forbidding Transylvanian castle on a crag is an instantly recognisable shorthand for a vampire story. Alternatively, you can use your setting to shock. Miss Marple’s St Mary Mead is a cosy country setting. Who would expect an idyllic English village like that to be the setting for murder? Yet Agatha Christie used it in the perfect contrast of place and event. In the same way bad things happen to good heroes and heroines, nasty things can happen in the best places.

What’s your favourite fictional place? Whether you’re a reader or a writer, I’d love to hear from you.