This has been a great year for fruit. One Mothering Sunday, my daughter presented me with a little Meyer lemon tree. That was the start of an ever-growing collection of citrus trees, all grown in pots.
My collection isn’t keen on English weather, so I keep them in the greenhouse between September and May. Each summer, I wheel them outside in their tubs and line them up in the fresh air and sunshine.
We had some good crops from my first lemon tree until a cold, soggy winter finished it off. The atmosphere inside the greenhouse made it rot. Its successor had almost sixty fruits on it this year. Lemon curd made with eggs from our hens is a lovely deep yellow colour, and much better than the so-called lemon curd sold in shops.
As well as a lemon tree, I have a Tahiti lime, and a Seville orange. I bought a small yuzu bush earlier this year, but that’s still got some growing to do before it produces fruit. There’s only one ripe orange on my tree, so I’ll have to buy some more Sevilles this year if I want to make marmalade!
Our Tahiti lime is fruiting for the first time. Like all the other citrus family it’s worth growing for its fragrant flowers but we’re getting plenty of fruit, too. I used some to make Key Lime Pie from Tesco’s recipe, although as our plant isn’t a Key Lime, I called ours Tahiti Lime Pie. It was very easy to make, absolutely delicious but it did my post-Christmas diet no good at all.
Here’s a Pixabay shot of Key Lime Pie. My effort looked the same, but the presentation here is so pretty I used this photo instead.
…is to get down to 9 stone 7lb by my next birthday, which is in May.
Sad to say, those fine words were 2018’s New Year Resolution, too. And 2017, and….well, you can guess the rest.
Each year I make the same vow. I always fall off the wagon, on or around January 12th. But in 2019 things are going to be different.
It’s easy to be optimistic when the New Year is still a few days away, but I have an extra weapon in my armoury for my next attempt. I’ll be playing mind games.
Back in February, I reviewed Paul McKenna’s Instant Confidence system (you can read more about that here).
I was very sceptical, but McKenna’s method worked so well for me that within a few months I’d stopped wishing and wondering, and signed up for a university course. As you’ll know if you’ve been following my blog, I’m now having a great time as a student at the University of Gloucestershire.
After that big success, I decided to try another of Paul McKenna’s systems. I’ve been trying (and failing) to lose baby weight since the beginning of this century. As Son Number One is now at university too, you’ll realise I haven’t had much success. If anything, I’ve been gradually putting on weight.
In hope rather than expectation, yesterday I bought McKenna’s I Can Make You Thin. I wondered about waiting until January 1st to try it out, because all the party food would have been eaten by then. There wouldn’t be so much temptation lying around. Then I thought about all the weight I’d put on in the rush to finish the post-Christmas leftovers by midnight on 31st December.
It would be a miracle if this book could stop me hoovering up food at this time of year. I decided to give it a try.
That was 24 hours ago. Since opening I Can Make You Thin, I’ve spring-cleaned the kitchen without stopping for a snack (or two, or three…). Last night, I ate only two-thirds of my home-made pizza. The weirdest thing of all is that I binned some of my porridge and fresh-fruit at breakfast this morning.
Me? Leaving some breakfast? That has never been known in my lifetime.
There are only two possible reasons for this. I’m either coming down with the bug that’s going round the village…or Paul McKenna is heading for another success.
It’s too early to say which it is, but there’s plenty of time for the novelty of McKenna’s system to wear off before New Year has even begun. Whatever happens I’ll keep you updated, so come back soon to see how I’m getting on!
In a perfect world you’d have a signed contract for your work before you started writing. The life of a writer isn’t usually that simple. Novels need to be finished before you approach a publisher. I didn’t know this when I wrote my first published contemporary romance, The Italian Billionaire’s Virgin. I sent the publisher my first three chapters and a synopsis as soon as I’d finished writing them. When they replied asking to see the complete manuscript, I still had half a dozen chapters to write!
It’s a bit different if you want to write non-fiction. You can pitch your idea before you’ve finished the book—you can find out more about the process here. It means planning down to the last detail to produce what is in effect a business plan, but there’s nothing like a publisher showing some interest to give a project wings.
Start by studying the type of book you want to write. Read as many as you can to get a feel for the style and content. Make a note of how many words are in each book, and how many chapters. Publishers like submissions that are close in size and style to the work they already publish. They want more of the same…but different. If you ask them what this means, they’ll say, “We know what we want when we see it.” That great catch-all statement allows them to snap up both the obscure and lengthy and the short and snappy, but for a first attempt play it safe. Make sure your manuscript conforms.
For further clues, get hold of a current copy of The Writer’s and Artist’s Yearbook. It’s the writer’s bible, listing the details of literary agents and publishers throughout the UK.
It has helpful articles about the writing business, too. There are pieces in the 2019 edition about crowdfunding your novel, how to become a poet and writing a cook book, so there’s something for everyone.
If you don’t have an agent, make a list of publishers who will accept submissions from unagented authors. Visit their websites, and narrow down your list to include only those who publish books like your prospective project. There’s no point sending your self-help manual to a company that only deals with botanical text books.
Once you’ve produced a shortlist, study their requirements for submission. You can get a good idea of what the individual editors like to see by following their posts on Facebook and Twitter. Give them exactly what they want, and if your idea hits the spot, you’ll be a winner!
Publishers are deluged with manuscripts. After the holiday break I’ll be showing you how to make your manuscript stand out from the crowd. To find out how to automatically give your submission the edge over 90% of other writers, follow this blog!
I’ve put my romance writing on hold while I’m at university (you can find out more about that here). Instead, I’m spending all my writing time on two separate projects which form part of my MA course. One is a full-length piece of women’s commercial fiction. The other is a non-fiction book about the Gloucestershire countryside.
Writing Struggle and Suffragereignited my interest in writing non-fiction. There’s one big difference between writing novels and factual books. You can approaching agents and publishers before you’ve finished writing the book.
Fiction editors like you to finish your novel before you contact them. When you write non-fiction, a book can be sold as not much more than an idea—as long as an agent or editor finds it irresistible. To tempt them, you’ll need to put forward a detailed proposal. Here’s how to do it…
A successful book proposal has 8 elements: A cover page, a synopsis, a full set of chapter outlines, details of your target market, format of your book, a list of chapter headings, your credentials for writing this book, and a sample of your work.
This should be laid out with the working title of your book, your name (and pen-name, if you’re using one), the book’s estimated word count, and all your contact details including address and phone numbers.
This should be a single page laying out the six main pillars of your book: what it’s about, where it’s set, why it needs to be written, your qualifications for the job, the stage you’ve reached in writing it, and how long it will take you to finish the whole book.
You only need one or two sentences for each chapter. As with fiction, make every word count. Every line must either advance the story you’re telling, or deepen the reader’s understanding of one or more of its characters. You’re fishing for professionals— offer them juicy bait then make sure there’s a good hook at the end of each chapter outline to reel them on to the next one.
Publishing a book calls for a major investment in time and money. The more accurately you can identify who will buy your book, the better it will sell. What age group are you looking at? Is your material gender-specific? Are you aiming for a small local market, or universal appeal? Specialist readers, or impulse buyers?
Your first buyer is your prospective agent or publisher. Make that sale, and more will follow. Study their websites and social media activity to discover their likes and dislikes. Find out what your target market (and therefore your professional contact) needs, and wants to read. Can you catch the wave of a trend? Give them what they want, and it will make selling your finished book a lot easier.
Assume you won’t be the only person who identifies a popular trend. Include a line or two about what your book does better, or differently from other books on sale. Show you’ve done your research by including titles of your potential rivals’ books.
What will the final word count of your book be? How many chapters will it have, and how long will each one be? Will your book incorporate any unusual design features? Will it be illustrated? If so, will the illustrations be in colour or black and white?
Give a Table of Contents by listing your chapters and giving each one a concise, appealing title.
Put forward the case for you being the perfect person to write this book. Give an account of all your experience in the field, whether technical, academic or both. Inspire your reader with your enthusiasm for your subject as well as your expertise. Give details of your online presence, and list any experts you know off-line, too. The writing business relies on networking. The more impressive connections you have outside the business, the keener people will be to draw you into their own particular fold.
Send the first two or three chapters of your book to give a taste of your writing style, pace and content.
As with all submissions, make sure you use a legible, industry-standard font such as Time New Roman 12-point throughout your proposal, and number every page. Although most submissions are made by email, a lot of editors like to print out proposals for reading. If the manuscript gets dropped, numbering pages makes it easy to get them back in the right order.
When you’ve got your material organised, edited and proof-read, read it aloud to yourself from beginning to end. It’s amazing what you’ll catch!
Next time, I’ll be exploring ways of finding the perfect destination for your proposal.
Have you tried contacting publishers direct with your work? Have you had any luck?