Ann Ankers, Anna Belfrage, Joanna Maitland, Marcher Chapter, Pia Fenton, Sophie Weston, Telford, The Romantic Novelists' Association's Conference 2017

Going Wild In The Country— The Romantic Novelists’ Association’s Conference 2017

It’s taken me two weeks to recover enough to write about this—yes, it was that good.

Around two hundred and fifty members of the Romantic Novelists’ Association converged on the Harper-Adams University in Shropshire for three days of talks, workshops, networking and fun.

There were sessions on the role of an agent and how to write the perfect submission letter, using images from embroidery and tapestry as inspiration for historical fiction, how to make social media work for you, how to revive your backlist, how technology can help writers and many more. The Gala dinner was the social event of my year so far, and the bookstalls were packed with new titles.

I’ll be posting notes here about some of the sessions I attended, so subscribe to my blog by clicking top right to catch them.

The food (one of my favourite areas of study!) during the conference was fantastic. Harper-Adams are used to catering for healthy, country appetites so we began the day with pastries, toast and toppings, a choice of about a dozen cooked items from bacon and eggs to hash browns, plus porridge, fresh fruit, yoghurt and cereals. The lunches and evening meals were all great too. The amazing gala dinner on Saturday Evening of Beef Wellington was particularly good.

The Amazing Raffle-Prize Quilt 

There was only one disappointment. Two members of my local chapter of the RNA, Joanna Maitland and Pia Fenton, were each offering sessions. They were scheduled at the same time, but in different lecture theatres. Joanna, along with Sophie Weston, showed how to add sparkle to your writing. Pia and Anna Belfrage talked about how to make Timeslip work. I wanted to go to both talks, not only to support Marcher Chapter members but because I was interested in both topics. In the end I had to toss a coin because I genuinely couldn’t choose. The Sparkle session won! Luckily, Pia offered to give us a quick run-down of her session at a future Marcher meeting.

After hours, the campus came alive with people socialising at the students’ bar, The Welly Boot. It’s a great opportunity to meet up with old friends and make new ones. I’m very shy and find socialising difficult, so I spent every evening in my room writing up my notes. I’d been a member of the RNA for years before Ann Ankers persuaded me to attend my first conference, which I did on a single-day ticket in 2014.  I was hooked from the minute I arrived. Everyone is so friendly. For every conference since then I’ve been one of the first to arrive, and almost the last to leave!

I enjoyed every minute of The Romantic Novelists’ Association’s Conference 2017, and got 110% out of my attendance.  There’s no doubt I could have made it 200%, if I’d spent more time socialising after hours.

I’ve made a resolution ahead of #RNAconf2018 to join in more of the fun, and spend less time writing up my notes. Why not join the RNA, then you can hold me to my resolution!

Ann Ankers, Christina Courtenay, Creative Writing, Fay Wentworth, Georgia Hill, Joanne Maitland, Marcher Chapter, Marilyn Rodwell, RNA, Romance, Top Tips

RNA Creative Writing Study Day, Hereford, 31st March 2014

Hard At Work…

In 2013, The Romantic Novelists’ Association announced a generous donation toward  all its local groups. I’m a member of the RNA’s Marcher Chapter, and we decided to put the money toward the hire of a room at The Courtyard, Hereford. The intention was to have a critique session. As it would be held so close to April 1st, the day was called  “Be A Fool For Love”.

The prospect of spending a whole day with like-minded people talking about writing was irresistible, but we wanted to show we’d taken the RNA’s  aims of promoting romantic fiction and encouraging good writing to heart. One month before the workshop, everyone emailed a ten-page sample of their current work in progress to organizer Ann Ankers. Ann collated them into a document which was then circulated among the group. The extracts were anonymous and we did a critique of every one, including our own. That way, we could make our comments without prejudice and still remain anonymous on the day.

Marilyn and Ann

Nobody likes the idea that their precious literary baby might be torn to shreds in a gladiatorial arena, so Historical novelist Joanna Maitland provided some invaluable advice beforehand. She advised that each critique should contain “three stars and a wish”–that is, highlight plenty of good points for every query or suggestion for improvement you make. This worked really well.

On the day, there were seven of us: Fay Wentworth, Georgia Hill, Christina Courtenay (fresh from winning the RNA’s Historical Novel of the Year Award for The Gilded Fan), Joanna Maitland, Marilyn Rodwell, me and organizer Ann Ankers. Ann also acted as our chairwoman and did an excellent job. She  kept the discussions moving, and made sure the day ran to schedule.

Fay, Georgia, Christina and Joanna

We were treated like royalty by the hardworking staff of The Courtyard. Regular refreshments (including delicious home-made biscuits) and a fantastic lunch was included in the price, and we worked so hard the time flew by. A photographer from Herefordshire and Wye Valley Life came to record the event. This was organised byChristina Courtenay. That gave me pause for thought. As I’d played an April Fool joke on my DD that morning, when a guy tapped at the door and asked for “Christina” I thought for an awful moment  DD had sent a male stripper  to our meeting as revenge. Thank goodness I was wrong!

We all had an amazing day. I learned a lot, and can’t wait until we can do it all again.

Have you attended a workshop? What was the most useful thing you learned?