Category: Creative Writing

Creative Writing, Motivation, NaNoWriMo 2014, Tasting The Peach

Writing A Book In A Month: The Final Countdown…

Christina Hollis
Worth Every Minute…

The alarm’s just gone off for NaNoWriMo 2014. That’s it: the deadline was midnight on 30th November, no excuses.  If you’ve read Writing A Book In A Month, Parts One, Two, Three And Four, this is the big reveal. 

I put off reading through the whole of my NaNoWriMo project, Tasting The Peach until the last possible moment, in case I had a crisis of confidence and didn’t submit it. I was relieved to see the story all hung together (although there are some big gaps I’ll have to fill in during second, and subsequent, drafts). My characters mostly turned out the way I hoped they would, although as they came to life for me they developed and grew in ways I hadn’t expected. 

I sent Tasting The Peach for validation on 29th of November, and my total word count was logged at 55,295 by NaNoWriMo central. I’ve printed out my personalised Winner’s Certificate, and now I feel wrung out and quite honestly, a bit emotional. What am I going to do, now all the pressure to finish is off? Read on, to find out…

Coming Soon…

NaNoWriMo is an invaluable hub and resource for writers. You’ll find mentors, tips and pep talks, shoulders to cry on and writing buddies to help you celebrate. It doesn’t matter whether you’re starting out, or an old hand who’s trying something new. Everybody learns from the experience, and has a good time in the process. For an investment of around £6, I got a month’s writing retreat right here in my office, but away from all other artistic distractions. It gave me the chance to dedicate an exclusive block of time to a project I’ve always had to sideline through pressure of other work. Sometimes you have to say “No” to requests. That’s always hard, but being able to say “Sorry, I’m doing NaNoWriMo this year!” made it a bit easier. 

The NaNoWriMo writing marathon each November is an international event that keeps on growing, but maintaining the site and networks takes money. They rely on donations, so read the testimonials here, then make a resolution to join NaNoWriMo 2015.

So, what’s next? Tomorrow I start a new WIP, but that’s quite literally another story. Or rather, two! I’ll be writing about this next project in a series of blogs called The Birth Of A Book. If you want to follow the roller-coaster ride all the way from basic idea to publication, click the “Subscribe To My Blog” button, at the top right hand side of this page.

To keep up with the progress of my next big release, His Majesty’s Secret Passion, please visit my Facebook Author page here, and click on the “like” button. 

Creative Writing, NaNoWriMo 2014, Tasting The Peach

Writing A Book In A Month, Part Four…

Christina Hollis

NaNoWriMo 2014 attracts corporate supporters as well as donations from writers. One of these, Webucator, approached writers for their insights into the creative writing process. I’m delighted to get people interested in trying something I’ve enjoyed all my life, so here’s an extended version of the interview I gave to them:


I’ve written for pleasure all my life, and became a full-time writer in my late twenties. Before that, I worked in finance, then marketing, and finished up in the technical library of a gas-turbine (aero engine) manufacturer. Nobody who read my jet-fighter manuals was interested in happy endings, and the atmosphere wasn’t good. Reading was my way of escaping, and I wanted to share that pleasure with others by putting my own stories into words. My wonderful OH offered to support me for one year to see if I could earn my living from writing and luckily, I found I could.

My goals haven’t really changed since I began my writing career. I always want to write the best books I can, which help readers to get away from it all for a while. I write about complex men and independent women thrown together in difficult situations, who develop an understanding as they grow toward a satisfying conclusion. Their happy-ever-after is as good for me, as it is for my characters.    

Coming Soon, From Wild Rose Press
I’m very lucky to enjoy writing romance, which is a popular genre. You can find a list of my available titles here, my next book, His Majesty’s Secret Passion, is being published soon by Wild Rose Press, and I’ve also got more titles scheduled for publication in 2015. Of course there’s also my NaNoWriMo project, Tasting The Peach. This is a thriller, which is a completely new departure for me so it’s a work-in-progress in every sense of the word. Joining up for NaNoWriMo 2014 allowed me to concentrate for one full month on producing the first draft. I’m only formulating the first draft, so there’s still some way to go, but I already know Tasting The Peach won’t have a conventional happy ending. I’ll be posting updates here on my blog about its progress. You can keep in touch by subscribing, using the button above.

I’m lucky in that writing makes me a decent living, but in any case I can’t stop. Sad, but true! As well as romance, I’ve written a lot of non-fiction articles for national magazines. Nature writing has always been  my first love, and I’m still trying to capture the passing seasons with the skill of a Roger Deakin, T.H White or H.E Bates.

My advice to any young person who wants a career as a writer is to find a conventional job that’ll pay your bills and give you a grounding in life, but which still allows you time to write after-hours. You’ll never produce your best work if you’re worrying about making money from it, and you need some life experience before you join a profession whose members spend 90% of their time shut away from reality—you only have to look at politicians in Westminster (with the notable exception of Lord Moynihan, here) to see where that sort of insularity leads! 

Read as widely as you can, and in genres other than your own speciality. Don’t just enjoy the story: analyse it, see how the author and editor have made it work. Then apply that insight to your own, original work. Most importantly of all, always write from your heart—readers soon spot insincerity, and they hate it. 

Finally, don’t forget to subscribe to my blog (by clicking on the box, top right above) to get my tip sheet of  hints for the career writer.
covering letter, Creative Writing, fiction, Top Tips

A Covering Letter To Cover You With Glory…

Christina Hollis
By Antonio Litterio

You’ve heard of “show, don’t tell”? In your covering letter, you’ve got to “sell, not tell”.  Imagine you’re surfing the net to check out holiday sites while your boss’s back is turned. You’ve only got a few seconds, so it’s the sites where one glance tells you all you want to know that get bookmarked, isn’t it? The same goes for the letter you send with your manuscript when it’s sent to an agent or publisher.

That letter is your landing page. It’s your shop window, where you entice an overworked reader to stop and take a second, and maybe a third, look. Make it sleek, professional, uncluttered, and easy to understand. Writing for publication is a business, so make your communications businesslike. Keep it to one side of A4, and don’t write it by hand. Get it printed.

ADDRESS:
Direct it to the right firm, and if possible, a named person.  This shows you’ve done your research, rather than copying-in multiple agents and publishers with a scatter-gun approach.

OPENING PARAGRAPH:
Tell them who you are, and give details of any relevant publishing history you might have. Be brief, and don’t be afraid to blow your own trumpet, but beware. What’s the first thing you do when you discover a new person? That’s right, you check them out on Google. The writing industry is no different. If the Dalai Lama doesn’t really ring you for advice each morning, your credibility will go the same way as your chances of reaching nirvana.

Include the length and genre of your book, the market you’re targetting, and why you’re the best person to tell this story. Explain why you’re writing to them in particular. “The MegaPublisher website names you as the commissioning editor in charge of contemporary romantic fiction,” shows you’ve read up on them. Make sure you’ve checked out their requirements, too. List what you’re sending, which should ideally be no more than a synopsis, your manuscript and return postage if you’re sending it via the postal service.

YOUR ELEVATOR PITCH:
This is the essence of your story, distilled into no more than a sentence or two. A synopsis is the proper place for full details of your story (you can find out how how to write the perfect one here).  Your covering letter must major in facts, to plant seeds of curiosity about your fiction. Cultivating an overworked editor’s need to find out more about your work will stop them moving on to the next manuscript in their inbox.

YOUR FLOURISH:
Tell them why you write and for Pete’s sake, be original. We all have “a compulsion”. None of us “can help ourselves”. Sad sacks that we writers are, we all “just have to write” and “can’t go a day without doing it”. Imagine the excitement of an editor who’s read a million of those tired old trills when they come across something like “My sense of injustice provoked me to write this story,” or “Solitary confinement after my conviction as a rogue trader left me with time to fill, so here’s the inside track on pork belly futures,” They’ll dance with joy—as long as you don’t go on to blow it all by claiming the Dalai Lama got you released.
Unless it’s true, of course.

DON’T:
Wreck your chances by telling them it’s a work of genius, you’re the next E L James and you’ll be ringing them in a week’s time to arrange a date and time to sign your contract. They’re much better qualified to make decisions about things like that than you are.

AND FINALLY:
It’s not only self-pubbers who have to market their own books these days. Mainstream publishers expect a team effort. They have a lot invested in their authors, so everyone has to work hard at promoting their books. An unknown who shows they’ve got a good grasp of the marketing basics by presenting a faultless covering letter stands a much better chance of getting their manuscript read.

Can you condense your favourite classic book down into the one or two sentences of an elevator pitch?

Creative Writing, selling, Story world

Write The Perfect Synopsis…

Christina Hollis
By Antonio Litterio
The perfect synopsis is a single page of description to tempt an editor to read the sample of work you’ve sent with it. Publishers are so busy, unless your synopsis grabs their attention straight away and won’t let go, they won’t bother looking any further. They don’t have time. Your manuscript’s file will be deleted without being opened if it was sent by email, or shredded if you sent a physical copy but didn’t include return postage. To give yourself the best chance of getting readers to see Chapter One, read on to find out what to include in a perfect synopsis–and what to leave out.

Use a standard font, in a size that makes it easy to read. Times New Roman, 12-point is ideal. DON’T reduce the font size any more than that. If it’s difficult to read, your editor won’t bother. Include your email address and the word “SYNOPSIS” to the header or footer, so your work can be easily identified.

Single-spacing (rather than the double-spacing used for your manuscript) means even a complicated synopsis can be squeezed into a couple of pages. That’s the absolute maximum these days. If a story can’t be explained in under two sides of A4, you’ve got problems. There’s no hope of your editor reading further, or looking at your full manuscript. Wikipedia has nailed the entire plot and character developments of J R R Tolkien’s enormous Lord of The Rings saga in 1,600 words. On my WP package, that’s two A4 pages plus a few lines. Chances are you’ll be able to make the synopsis of your own work a lot shorter than that.

A synopsis must sell your work and your writing style. It has to encourage agents and publishers to pick up your complete manuscript and read it. That’s something they won’t bother to do unless you convince them–fast–it’s worth their while. 

In the first line of your synopsis, give your contact details, the word count, and a reminder of the genre or line you’re aiming for. Full details of your intended market should have been included in your covering letter, but you still need to make sure the right person’s reading your work.

Concentrate on selling your story, major characters and themes while giving a flavour of your writing skill. Take a lot of time and effort to distil your work down into its most interesting and vital points. Remember, great thinkers such as Blaise Pascal and George Bernard Shaw have all apologised for writing long letters by saying they “didn’t have time to write a short one”. 

Write in the present tense. Outline the most important plot points in the order they happen, and why. Include details of your characters’ development as it happens through your book, and the reasons for their inner and external conflicts. A synopsis isn’t the place for riddles, cliffhangers, or hooks. Your potential editor can’t afford to wonder what happens next. They must know.

Study the cover text and reviews of recently-published books in your genre. When something entices you to read the rest of the book, that’s exactly the type of writing which will make anyone reading your synopsis hungry for more. Never copy anybody else’s work, but follow their example to produce a tempting result.

Don’t bother including details that don’t influence the plot. You may have spent hours deciding whether to give your heroine blue eyes or brown, or whether your hero likes cats. That’s vital background detail when you’re building your story world, but an editor doesn’t need to know any of it. If your heroine must wear contacts to disguise her appearance, or an allergy to fur makes your hero sneeze when he’s trying to hide from the villain, that’s fine. Otherwise, leave it all out. 

If you’re submitting by mail, make sure you send everything in one envelope: return postage, your synopsis, cv and covering letter as well as your manuscript. Make sure it’s all cross-referenced, and includes your contact details. Busy publishing house won’t have time to marry up items that get posted separately, but they’ll be grateful for clear labelling on anything that’s accidentally separated in-house.

With all the components of your perfect synopsis in place, tighten up your prose as much as possible. Then go through your manuscript and make sure all the promise and talent you’ve shown in your synopsis is reflected in your text. Once it’s perfect, it’ll be time to target your submission. But that’s another story…

For more hints and tips on writing (and cooking, beekeeping, gardening and eating cake…) sign up for my newsletter by mailing me at christinahollis(at)hotmail.co.uk, replacing the (at) with @ and putting “newsletter” in the subject line. Subscribers get a free copy of my Tipsheet For The Career Writer. 


blogging, Corazon, Creative Writing, Ian Skillicorn, RNA conference 2014

Writing and Blogging: Going Solo by Ian Skillicorn

Christina Hollis
by Antonio Litterio

One of the sessions I attended at the RNA conference this year was Ian Skillicorn’s guide to publishing and marketing for writers. Ian has very kindly agreed to let me include my take on his talk. You can check out his Corazon website for details of his “day job”, but here’s a taster…

Running your own blog is  a vital part of your publicity campaign, but set a realistic blogging/social networking schedule and stick to it. Say “I’ll spend two hours a week writing my blogs, and post twice per week (or whatever),” for example. Consistency is key. Whatever social media you use, always keep the goals of who am I blogging to, what am I telling them, and why, in mind. Share yourself with your followers much more, and more often, than you plug your own book.
If blogging is a chore, share it by inviting guest posts, although be careful. Get guest bloggers to send you their text well in advance for vetting before the advertised publication date. That gives you time to edit, ask for revisions, or politely decline. Search for authors who blog in the same genre as you, and offer to swap blogs. The Novelistas group of writers do this, and it means each member only has to write one entry every six weeks. Before signing up to do a blog tour, investigate your prospective host online. How successful have their previous blog-tours been? 

Over the next few weeks, I’ll be covering some of the other sessions I attended at the RNA conference this year. To make sure you don’t miss any of the relevant blogs, join in by clicking on the “subscribe” box above, or just drop me a line to christinahollis(at)hotmail.co.uk.